From Vienna to the New World

From Vienna to the New World

Venue
Symphony hall,Xi 'an Concert Hall
Duration
Appr. 90 mins(with 15 mins intermission )
Price
¥100 | 180 | 280 | 380 | 480
Time
2021-07-23 19:45
Admission
Admission 30 minutes in advance
Notice
  • *Admission by ticket only. The purchased tickets can not be returned.
  • *Children under 120 cm will not allow to enter.
Reminder
  • 1. Please scan the QR code for epidemic prevention control and measure your temperature before entering the venue. Non-green code or body temperature higher than 37 degrees will be refused entry. Please keep mask on after entering the theater.
  • 2. The theater will be opened under limitation of audience capacity in accordance with the notice of the Ministry of Culture and Tourism.

Artist & Team

  • Conductor | Lin Daye
  • Pianist | Serena Wang
  • XI’AN Symphony Orchestra

Special Offers

  • 1. XSO 2021 Music Season "3 grand for 1 grand" exclusive coupons is available for this performance. Deduct ¥100 with no threshold.

  • 2. This performance offers "XSO last hour student access". One hour before the performance and if there are any remaining tickets, full-time postgraduates, undergraduates and below, with their student ID cards, can queue up at the "last hour student access" of Shaanxi Grand Theater booking center to purchase a random ticket at price of ¥70. Each person is limited to one ticket per performance on a first-come first-serve basis.

  • 3. Reminder: Above discounts cannot be used in combination.

Intro

"Piano Concerto NO.3 in C Minor" was made in 1800, is Beethoven really began to mature signs. The scale and grandeur of the whole work, its grim and fortitude of pace, sharp contrast and brilliant presentation of the work makes the work very dramatic. From this concerto, Beethoven strengthened the piano as the main body, so that its corresponding weaving into the entire music development, so that the structure is more magnificent. The part of the orchestral instrument has gradually shown the rhythm of the symphony, and the piano into one, all natural.


"Symphony No.9 in E Minor" is also known as "From the New World", Dvorak was living in the United States at the time of writing this work. He was deeply moved by the rapid economic momentum of the New World and the simple American folk songs and black spiritual songs. This symphony is steady, simple and full of truth, is the "big vulgar" works of the best works. There is no more moving moment in music than a high degree of resonance with each individual's inner emotions. As one of Dvorak's works on the theme of homesickness, its artistic height and breadth of homesickness are undeniable and can comfort, look forward to and warm those who work and study far away.


Programme   


Ludwig van Beethoven(1770-1827)

Piano Concerto NO.3 in C Minor,Op.37   

I. Allegro con brio

II. Largo

III. Rondo.Allegro

 

Intermission       

 

Antonio Dvorak(1841-1904)

Symphony No.9 in E Minor,Op.95

I. Adagio,Allegro molto

II. Largo

III. Scherzo - Molto vivace

Ⅳ.Allegro con fuoco



【Artists】



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Conductor | Lin Daye


Music Director and Chief Conductor of the Shenzhen Symphony Orchestra

Deputy Director of the Composition Command Department of Shanghai Conservatory of Music

Director of the Chinese Musicians Association

Member of the Shanghai Youth Federation

Shanghai-level innovation team "first-class band talent training and practice" backbone members

Winner of the 2020 Green Tin Art Achievement Award

6th George Solddy International Command Competition


Young conductor Lin Daye was born in 1980, and has been taught by Professor Xu Xin, conductor educator of the Central Conservatory of Music, Professor Zhang Guoyong of the Shanghai Conservatory of Music, Professor Kristen Ayward of the Hans Eisler Conservatory of Music in Berlin, Germany, and received a diploma from the highest performer in Germany.

 

From 2009 to 2015, Lin Daye was appointed permanent conductor of the Guangzhou Symphony Orchestra. During this period, he toured with the Guangzhou Symphony Orchestra at home and abroad. In 2009, at the invitation of the Thai royal family, the Guangzhou Symphony Orchestra went to Bangkok to perform two symphony concerts for the royal family, which were highly acclaimed. In 2010, a concert was held at the Shanghai Summer Music Festival in collaboration with the Royal Philharmonic Orchestra. Subsequently, he directed the Chinese premiere of the Pulitzer Prize-winning opera "The White Snake", written by Zhou Long, a composer co-commissioned by the Beijing International Music Festival and the Boston Opera House.


In 2011, he made his first trip to North America to conduct the Vancouver Symphony Orchestra, with great success. In 2012, he won the 6th Sir George Soldi International Command Competition in Frankfurt, Germany, becoming the first Chinese to receive this award. In the same year, he was awarded the Outstanding Contribution Award by the Guangdong Musicians Association.


The 2013-2015 music season, the 16th Beijing International Music Festival conducted composer Zhou Long's symphonic epic "Nine Songs" world premiere. In 2015, at the invitation of the Mariinsky Theatre, he performed for the St. Petersburg Symphony Orchestra at the Musical Olympus International Music Festival. In June of the same year, he was invited to perform the Shanghai Symphony Orchestra's season in place of conductor Aditya Divat. In September, under the joint recommendation of Mr. TaiDou Huang Xiaotong, conductor and educator Mr. Zhang Guoyong and conductor Mr. Yu Long, Lin Daye returned to the Shanghai Conservatory of Music to teach in the department of command and is currently the deputy director of the composition command department.


In 2016, Lin Daye was invited by the Chinese Philharmonic Orchestra to perform the 2016 New Year Concert on CCTV. In March, he was invited to perform for the Castillo y Leon Symphony Orchestra of Spain. In May, he officially served as music director and chief conductor of the Shenzhen Symphony Orchestra and was invited to perform a special concert on Zhao Jiping's work at the Shanghai Spring International Music Festival. In September, at the invitation of the Emilia Romagna Music Festival Association and the Romanian Radio media cultural center, the Shenzhen Symphony Orchestra participated in important international music festivals such as the Ljubljana Music Festival in Slovenia, the Emilia Romagna Music Festival in Italy, the Merano Music Festival and the Romanian International Radio Music Festival.


During the 2017-2018 music season, he and the Shenzhen Symphony Orchestra toured four countries in Central and Eastern Europe along the Belt and Road. In addition, he was invited to perform with the Nuremberg Symphony Orchestra, the Italian Tuscany Philharmonic Orchestra, the Seattle Symphony Orchestra of the United States, the National Autonomous University of Mexico Philharmonic Orchestra, the Royal Symphony Orchestra of Bangkok, Thailand, etc.


In 2019, at the invitation of the Emilia Romagna Music Festival Association, the Donetsetti Festival and the Nuremberg City Government, the Shenzhen Symphony Orchestra will again perform at the Ljubljana Music Festival in Slovenia, the Donetsetti Music Festival in Italy, the Castello City International Music Festival, and the opening concert of the Dacapo Chamber Philharmonic Orchestra in Munich.

 

In 2020, Lin Daye led the Shenzhen Symphony Orchestra to perform four concerts in Montreal and Ottawa, Canada, and was praised by the music critic Christopher Hess. In addition, he was once again invited to perform for the Nuremberg Symphony Orchestra. The original music "My Motherland" by the Shenzhen Symphony Orchestra, performed by him, has won the first prize of the 14th Guangdong Provincial Arts Festival, the first prize for large-scale stage art works of the 14th Guangdong Provincial Arts Festival, by the Ministry of Culture and Tourism of China.




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Pianist | Serena Wang



Serena Wang is a young piano player of the new generation of Chinese-Americans, and her performance was described by the San Francisco Chronicle as having a "future that cannot be ignored". At the age of six, she took part in the 3rd Beijing International Piano Music Festival, took to the stage of the National Grand Theatre Concert Hall, and performed Haydn's "D Grand Piano Concerto" in collaboration with the Shenzhen Symphony Orchestra conducted by Zhang Guoyong. Since then, Yarran has been collaborating with a number of orchestras and conductors, including the Chinese Philharmonic, the National Theatre Orchestra, the Shenzhen Symphony Orchestra, the Shanghai Symphony Orchestra, the Vancouver Symphony Orchestra, the Mexican Youth Symphony Orchestra and the Guangzhou Symphony Orchestra. She has worked with conductors including: Zubin Mehta, Gustavo Weber, Yu Long, Zhang Guoyong, Lu Jia, Yang Yang, Zhu Qiyuan and so on.


She won the Gold Award for The Children's Group at the 2nd National Children's Piano Show Competition held in Gulangyu, Xiamen, China, in 2010, and the Group B Gold Award at the 15th Asian Chopin International Piano Competition held in Japan in 2014. To date, she has performed in Countries and Regions including: Russia, Finland, Italy, Switzerland, Israel, USA, Singapore, China, Japan, taiwan and Hong Kong. At the age of nine, she recorded her first CD album at The Dutch record label Channel Classics, and it soon gained international media acclaim and attention. The album track covers the work of composers such as Mozart, Chopin, Lister, Planck, Shostakovich, Tan Dun and Dan Zhaoyi.


In the 2016-2017 season, she was invited by the Chinese Philharmonic to perform Beethoven's Piano Concerto NO.1 on a North American tour, including Vancouver, San Francisco and Los Angeles. She collaborated with the Shanghai Symphony Orchestra and performed the same work in Shanghai and Taipei, and as the youngest invited pianist, she performed Mendelssohn's "Piano Concert NO.1 in G Minor" at the 54th Brescia and Bergamo International Piano Festival in Italy, performed by the Guangzhou Symphony Orchestra, performed by Yu Long. In May 2017, at the invitation of the Israel Philharmonic and under the direction of Zubin Mehta, he toured Tel Aviv, Jerusalem and Haifa for four mendelssohn's "Piano Concerto NO.1 in G Minor";


In the 2017-2018 season, She was once again invited by Zubin Mehta to collaborate with the Israel Philharmonic to hold a concert in Nanjing, Jiangsu Province, China, to perform Mendelssohn's "Piano Concerto NO.1 in G Minor". He then collaborated for the first time with the New York Philharmonic and the London Philharmonic to play Beethoven's Fantasie fur Klavier, Chor Und Orchester.


On May 3, 2019, at the invitation of the Shanghai Symphony Orchestra, She in collaboration with the pianist Agrich, performed the French composer Saint-Saint-San's The Carnival Of Animals under the direction of Charles Ditua.


On 1st October, 2019, She was invited to participate in a performance in Tian’anmen Square to celebrate the 70th anniversary of the founding of the People's Republic of China.


Born in October 2004, Wang began studying piano in 2008, followed the famous piano educator Professor Dan Zhaoyi in 2010, and left China after graduating from primary school in 2016 to travel to Boston, USA, where she studied with Professor Liu Mengjie. In 2018, she was admitted to the prep class of the Julia Conservatory of Music in the United States, where she was taught by Professor Kaplinsky. Follow Robert Macdonald from the 2020-2021 school year.



Performance teams



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XI’AN Symphony Orchestra


Xi’AN Symphony Orchestra(XSO) is proud to be the resident orchestra at both Shaanxi Performing Arts Center and Xi’an Concert Hall. 

 

XSO was born in Xi’an, the ancient capital city with a thousand years of history as well as the starting point of the Silk Road. Standing at the threshold of a new era, XSO thrives in the spirit of friendship, openness and inclusiveness. Embracing new ideas and a new mission, XSO advocates for changes and creativity. It’s a great combination of classics and innovation.   

 

So far a great number of world-class maestros, including Tan Dun, Zheng Xiaoying, Midori, José Carreras, He Hui, Yin Chengzong, Li Yundi, etc. have witnessed the appreciable growth of XSO over the past years. According to Zheng Xiaoying, “XSO’s performances should be considered at the national level”. Carreras also commented, “With its vigor and passion, the potentialities of XSO are inexhaustible”.   

 

Since being founded in 2012, it has been performing every music season. With its passion, expertise and vitality, XSO has gained high-profile recognition from all artists it worked with. 

 

During the 2017 season, XSO chose “A Tribute to Beethoven” as its theme and presented all nine Beethoven symphonies, which marked its fourth consecutive season. Its seasonal performances of creativity and passion help it develop an international presence through many excellent musicians as well as attract more and more citizens to the world of classical music. 

 

Apart from its seasonal performances, XSO’s successful participation in operas, such as ToscaLa traviata and Le Nozze di Figaro, has improved its expertise tremendously as well. It introduced the art form of opera to more people and at the same time made itself an orchestra with excellence in both symphonies and operas. 

 

When Shaanxi Performing Arts Center was inaugurated in October 2017, XSO drew on its experiences in the area of opera and coproduced the opera of Turandot with an Italian production team, making the center, first of its kind in China, to produce an opera as its opening show.  

 

XSO dedicates itself to the cultivation and representation of symphonic chamber music of the city. It understands the crave of people for art and music and is proud to be a music messenger by promoting public welfare projects, such as annual outdoor performances and citizen concerts. XSO devotes itself exclusively to shaping the present and the future of the city! 


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Theatre Etiquette

Colored drinks and food are not allowed to be brought into the venue. Bottled water is also forbidden in some performances.

Smoking (including e-cigarettes) is totally banned in the theatre.

Improperly dressing or intemperance will not allowed to enter the theatre. Please understand.

Latecomers have to wait, and to enter quietly at intermission or scene break under the guidance of the usher.

Paper bags, plastic bags, carry-on bags (greater than 25×20cm) and photographic equipment are required to be stored.

To show respect for the artists, please do not take photos or audiotape or videotape recording during the performance.

To ensure the good acoustics during performance, mobile phone signals will be blocked during some performances.

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