The Timeless Mozart: Requiem K626 Chorus C

The Timeless Mozart: Requiem K626 Chorus C

Venue
Symphony hall,Xi 'an Concert Hall
Duration
Appr. 70 mins
Price
¥100 | 180 | 280 | 380 | 480
Time
2021-06-26 19:30
Admission
Admission 30 minutes in advance
Notice
  • *Admission by ticket only. The purchased tickets can not be returned.
  • *Children under 120 cm will not allow to enter.
Reminder
  • 1. Please scan the QR code for epidemic prevention control and measure your temperature before entering the venue. Non-green code or body temperature higher than 37 degrees will be refused entry. Please keep mask on after entering the theater.
  • 2. The theater will be opened under limitation of audience capacity in accordance with the notice of the Ministry of Culture and Tourism.

Artist & Team

  • Conductor | Yuan Ding
  • Xi’an Symphony Orchestra Chorus
  • Xi’an Symphony Orchestra

Special Offers

  • 1. XSO2021 Music Season "3 grand for 1 grand" exclusive coupons is available for this performance. Deduct ¥100 with no threshold. (Available after March 1)

  • 2. This performance offers "XSO last hour student access". One hour before the performance and if there are any remaining tickets, full-time postgraduates, undergraduates and below, with their student ID cards, can queue up at the "last hour student access" of Shaanxi Grand Theater booking center to purchase a random ticket at price of ¥70. Each person is limited to one ticket per performance on a first-come first-serve basis.

  • 3. Reminder: Above discounts cannot be used in combination.

Intro

Requiem is actually a branch of Mass, mainly referring to the Roman Catholic Church used to overshoot the undead of the special Mass, Requiem singing the same words as ordinary Mass.

Mozart's Requiem is the most famous Requiem in the history of music. The song, written in 1791, is Mozart's last. However, Mozart died at the end of the eighth d.m. of Lacirmosa. The verse is mainly written and organized by its student and assistant, Franz Xaver Sussmayr (1766-1803).

This "Requiem" uses the traditional "Requiem" form, using Latin lyrics, very sincere, moving, showing a rather strong Baroque style, the music style is also deep and serious. In the tradition of vienna, Mozart's Requiem has the status of summing up and turning.



Programme



Wolfgang Amadeus Mozart(1756-1791)

Ave Verum CorpusK618


Requiem in D MinorK626

I. Introitus

II. Kyrie 

III. Sequenz

1.Dies irae 
2.Tuba mirum 
3.Rex tremendae 
4.Recordare 
5.Confutatis 
6.Lacrimosa 

IV Offertorium

1.Domine Jesu 
2.Hostias 

V Sanctus
Ⅵ Benedictus 
Ⅶ Agnus Dei  
Ⅷ Communio  




【Artists】




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Conductor | Yuan Ding


As an award-winning conductor, Yuan Ding has successfully conducted the Leipzig-China Radio Symphony Orchestra, the South West Fallon Philharmonic Orchestra, the Leipzig Philharmonic Orchestra, the West Saxony Symphony Orchestra, the Jena Philharmonic Orchestra, the Leipzig Philharmonic Orchestra, and the Leipzig Philharmonic Orchestra. Bissy University of Music and Drama Symphony Orchestra and Choir, Korean State Opera, as well as including almost all major Chinese orchestras and opera houses,like the Chinese National Symphony Orchestra and Choir, the Chinese National Theatre Orchestra and Choir, the Central Opera House, the Central Ballet Symphony Orchestra, the Beijing Symphony Orchestra, the Shanghai Philharmonic Orchestra, the Shanghai Opera House and the Macau Orchestra.


Yuan Ding performed Mendelssoin's symphony NO.2, "The Song of Praise", in Leipzig. Music reviews in the Leipzig People's Daily hailed it as "extraordinary and precise musical elaboration", "advanced professional technology" and "all the qualities of a good conductor".


With a wide range of symphonies to retain, Yuan Ding also has impressive achievements in the field of opera: through continuous exploration, has so far rehearsed and performed more than 40 Western classic operas and Chinese original plays, becoming the world's leading opera conductor of the same age.


In addition to being active in concerts and opera stages for a long time, Yuan Ding can also be seen in some large-scale state events in recent years: he performed for the Chinese and German prime ministers in April 2018, made cordial artistic exchanges with the visiting Korean Friendship Art Group in January 2019, brought a musical feast to the Boao Forum for Asia in March of the same year, and participated in the rehearsal of the large-scale musical and dance epic "Struggle, Chinese People" in September.


Yuan Ding has been a music lover since childhood and graduated with honors from the Central Conservatory of Music of China and the University of Music and Drama in Leipzig, Germany, in 2008 and 2012, respectively. During his studies, he studied the art of command with Professor Xu Xin, a famous Chinese music educator, Mr. Li Xincao, a famous conductor, and Ulrich Winderfort, a German conductor, and in Yuan Ding's early career, mr. Lu Jia, a famous Chinese conductor, gave great help to him. Yuan Ding has also worked closely and happily with conductors Zubin Mehta, Lorraine Mazer, Christopher Eichenbach and Michel Plasson.


Yuan Ding worked for the National Theatre Orchestra from 2013 to 2018 and was invited to join the Central Opera House as its chief permanent conductor in 2018. With years of love and loyalty to the music industry, Yuan Ding has been warmly welcomed and highly praised where he has been.



Performance teams



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Xi’an Symphony Orchestra Chorus


If there is a kind of instrument which has the characteristics of natural, rich and changeable, the only answer is human voice. Because of singing, we convey tender feelings, express minds and chant ambitions, to make the language more pleasant, to make the melody more understandable. Because of chorus, we come together, correspond with each other, become rich and harmonious. We release our hearts through the flow of songs and come close to the faith, also achieve mutual understanding and appreciation through the flow. 


A city needs a representative chorus to communicate with the world, to attract more professional chorus groups from abroad to interaction. This is the original intention of the establishment of the Xi'an Symphony Orchestra Chorus, and also our vision. 


Our members are selected from the colleges of music and their chorus. The standards of building and recruitment is not only professional, but also outstanding. Our performances go beyond the singles and concerts. We also want to shine the pearl on the crown of stage art, the opera, by our singing. 


Only professionalization can make us sing more professionally, and only by professionalization can we go further, which we know quite well. October 2017, Shaanxi Grand Theatre was up and open. This is also the first year of our birth. The self-rehearsed opera Turandot was used to commemorate the birth of the chorus. 


Several years later, when the members of Xi’an Symphony Orchestra Chorus think of the year 2018, they may miss the persistent and courageous attempts, and the loud applause reverberated in the hall for long time. 


In 2018, we established great communication with the friends who loves vocal music and chorus in Xi’an. We visited the solemn and solemn halls, traveled the pure and fresh mountains; we worshiped the inspirations of renaissance masters, deplore the hard-Red Course of forefathers. 


In this cherish year, the mature fellows return to the familiar home field of the Grand Theatre to show the opera groups as it should be. The combination of free singing and skillful cooperation is the perfect summary of this year. “Turandot” stepped out of the gloomy and cold palace; “Carmen” brought boldly and hot dance. The audiences and love are like two free birds. When the curtain falls, the birds don't want to fly away; when the show starts, they always fly back.

Pictures
图库
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Theatre Etiquette

Colored drinks and food are not allowed to be brought into the venue. Bottled water is also forbidden in some performances.

Smoking (including e-cigarettes) is totally banned in the theatre.

Improperly dressing or intemperance will not allowed to enter the theatre. Please understand.

Latecomers have to wait, and to enter quietly at intermission or scene break under the guidance of the usher.

Paper bags, plastic bags, carry-on bags (greater than 25×20cm) and photographic equipment are required to be stored.

To show respect for the artists, please do not take photos or audiotape or videotape recording during the performance.

To ensure the good acoustics during performance, mobile phone signals will be blocked during some performances.

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